Weekly Nugget: How to study a dramatic part  

Dear beautiful singer,
the most important thing: You need time to delve into the score and let it sink into your system.
The first step young dramatic singers is to work in the complete technical control of your voice and body.
Second step is to explore the music and orchestration and to sing in this way that you are not carried away by this huge incredible orchestral sound. Your voice has always to soar over the orchestra effortlessly. You need a lot of physical stamina and concentration to sing this dramatic repertoire.
Last week a soprano studied with me the role of Lady Macbeth Verdi.  Having sung this role myself in many performances I know how demanding this role is in any aspect. The singer has to sing coloratura, whispering sounds etc.
When Lady Macbeth enters the stage with „Vieni affretta” and the Cabaletta, you as the singer have to establish your character.
Like in all dramatic repertoire, to be able to sing all the notes is just the beginning of the journey into the wonderful working process of making a role yours. Out of my career and experience with this heavy repertoire, I would, at least, suggest to plan at least 6 month for learning a dramatic role.
How to cope with a last minute offer?
I know that singers sometimes get the offer last minute. This is a difficult situation.
My suggestion:
See your voice teacher and a coach you trust and ask if you could manage to learn this part in a couple of weeks.  A better choice for all the  weeks you are not in a contract, instead of getting frustrated sit down and learn Opera roles of your vocal fach.
Enjoy the music 🎶.
Your long term goal with every dramatic part should be that you sing it near-perfectly  and know the music like your heartbeat. Reason: Then you have no fear concerning wether you can come through the performance.
Another long term goal is to develop a strong personality on stage. Then you are expressive and and and….
I always emphasize that it is essential to have enough experience before tackling those big dramatic roles and to have a voice teacher and music coach working with you who you are nurture from.
With appreciation
Vera Wenkert