Immersion into the World of Opera

Weekly Nugget: Immersion into the world of opera
I strongly recommend that singers study at least the piano reduction of the opera they sing, it would be even better to read the full orchsterscore, so that you understand the relation in dynamics and colour and phrasing of your music and aria and the orchestra.
One way to get an easy approach into this studyconcept is: Go to your musiclibrary in your town and find an orchestrascore of an opera, sit at home in a cosy chair and listen to this opera with your orchestrascore in your hand. I call it singer in wonderland of music…
I promise you, you will have a remarkable time in this special „wonderland“.
I have a couple of singers who work their stageroles with me like this and they have an extrodinary great time in the orchestrarehearsals and in their performances.
So I invite you to start this journey today.
With appreciation and have a lot of fun
Vera

Singing Treasures

Nowadays, more then ever, the singer has to have a refined concept for a success singing path: Of course a solid healthy vocal technique but to catch the interest of managers or casting directors in operahouses the singer has to blossom into a fine unique artist; that means to portray in any singing piece taste and musicianship. A performer serving the composers art and shaping and sculptering his or her aria or artsong out of this desire is one of the privilege and duty. Then miracles can happen, the singers individual artistry melts with the composition. I remember when I studied Isolde, every day I could not wait to dig into the harmonies to understand R. Wagners intention between the colours of the orchestra and the Isolde melody lines. I studied on top of my role also the Orchestra partitura. I suggest this for every main role. Have a glimpse into the full orchestration, find your leading instruments, listen to the colours. As singers, we are part of the orchestra.
More next Friday.
Wishing you an exciting journey into your special music land.
Vera

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