Feedback

As a singer we need feedback, but it is difficult to get an objective feedback and to put it in the right context for ourselves.

👌Tip number one is:
Try to get constructive criticism from people who understand the issues and the profession.
For example, your voice teacher has to correct your vocal technique and your pianist has to correct musical nuances. (Please note that a Theater Director or a conductor might not offer you substantial feedback after an audition. His time is limited and his job is just to find a singer for this specific role.)

There are always colleagues who have the tendency to give feedback so…
👌Tip number two is:
Take an inner step back and ask yourself: “What is the underlying motivation why this colleague is commenting on my performance?” A healthy on the spot reaction is to say thank you and a short sentence like “I will think about it“. Please try not to explain yourself. A colleague is a colleague!

It takes time, thought and concentration to give a thoughtful and neutral Feedback. When I was in the first year of my opera career I was young and insecure, and I received contradicting feedback. It took me a while until I understood that they are just opinions, often from people who are in the same boat or have no career, or what I call “pretending to be more then they are.” I remember my first production as a very young Tosca and my Scarpia was the famous Franz Grundheber. I was on one hand so overwhelmed singing an opening night of Tosca with this great singer, and on the other hand I understood very quickly that he was a nobleman only concentrating on his art and singing. Instead of giving his opinion he was in peace and concentration with himself, and I felt then that I have the time, the space and the atmosphere to grow into my interpretation of Tosca. It was a very special opening night for me and one of these rare performances where you feel the God of the Singing Heaven has just put a magic glow on you 🌟
My advice is : Do not give unsolicited criticism and do not listen to unsolicited criticism. You never know in which state of development the singer is or what tasks he or she is facing in the career.

Hopefully you have trustworthy sources in your life, like a mentor, your voice teacher, your number one coach, people who have helped to guide you through the varied up and downs of your singing education and career. You have a bond of trust and honesty created between you and these handful of people, and this is unpayable in the life of a Singer. Until today I am thankful and blessed that I have my mentors David L. Jones, Friedrich Gürtler and Thomas Barthel in my life, with whom I have trustworthy and honest relationships with for decades, and where I get substantial advice. As well, of course, all the wonderful female singers which have influenced my way, like KS Birgit Nilsson, KS Berit Lindholm and Janet Williams. These are only a few to mention here.

In this special Weekly Nugget I also want to give a THANK YOU towards all the brilliant young singers, and also the singers who are already in careers in my studio, for their dedication towards the art. As well as for their substantial honesty in the working process with me and the people around them in this profession. I am grateful for your heartfelt testimonials that are featured on my website now.

With appreciation
Vera Wenkert

 

Photo: Vera Wenkert as Tosca and Franz Grundheber as Scarpia

Last Saturday I worked with my Singers

Last Saturday I worked with my Singers in an Acting Class on different Opera Monologues. It is a real task for Singers of all stages to keep the artistic energy flowing in a big Monologue. During our intensive work on the Marschallin Monolog from Der Rosenkavalier and the Prayer of Marie from Wozzeck. I pointed out more than once that you are the powerful creator of the Scene.
GIVE YOURSELF THE PERMISSION TO BE THE CHARACTER!!!! Then we can work, develop and polish it.

It is my passion to guide you through the process with all my stage experience and knowledge of vocal technique and music. I am super proud of all the Singers who have the courage to develop their talents with intensive work and dedication to rising with their wings. Bravo!! You are taking the responsibility for sculpturing your talent.

To be an Artist means also to work on our talent, our strong and weak points every single day.

🌟More in my Weekly Nugget next week:
“Step into your unique talent.”

With appreciation
Vera Wenkert

Performance Opportunities

In this weekly nugget I want to encourage young singers and artists to find performance opportunities, where you can see and proof what you already have accomplished and also for the joy of singing..
Use your phantasie for finding or creating a performance possibility.
Maybe you could sing in a church, in an elderly home, in a hospital, in a fancy big hotel etc. or in little productions.
Every young artist needs this route of experience before he or she can shine with selfconfidence on an operastage.
When I was studying with Gloria Davy as a very young singer, she always said no singer stands on a stage over night. She was right.
I seriously suggest first own your confidence young singers and start taking actions on your career dreams. Step by step.
For this reason I offer the young singers two times a year the opportunity to sing and perform in a staged public concert after a 5 day Masterclass, where we work on staging scenes.
It is wonderful to see their growth in the performance situation.
To become an artist needs talent, dedication and discipline and over all love to the art.
Wishing you : Feel inspired every day on your singing journey. Embrace the fact that you are on an exciting way and honor your learning path.
Warmest
Vera

Mindset Discipline Goal Setting

These are topics we singers have to work on constantly . Autumn is an awesome time to do it because auditions coming up, the Theaterseason has just started etc..
Today I want to lead you to ask yourself a couple of questions that will empower you to find your individual way towards reaching your singing goals:
1st: Is your audition repertoire vocally and musically ready to present with shine?
2nd: What do you really want to achieve with your singing?
3rd: Are you doing the things you can do to achieve the most out of the opportunity you have?

MINDSET
Your mindset is really important when it comes to your singing success. Believing that you can be a good singer and performer, that there are opportunities, where you can sing either for money or just for the fun of making music is very important. You have to believe it first before it can happen that you are shining as a singer otherwise you can find yourself talking yourself down and distracted by doubts and negativity.
First you have to decide that you are going to work with determination towards your goals that goes hand in hand with being grateful for the people and things you already have in your life and the things you already have achieved.
Ask yourself the question: Why do you want to have this singing career?

DISCIPLINE
Very important in a singers life is discipline. Yeah! You calmly have to work towards your goals every single day with dedication, which means to work on your vocal technique and on your music. Keep going and that is how you make progress. I promise you will love it, when you be in the music every day and find the phrasing, solve vocal challenges of the aria or part etc.
Grab your pen and notebook and write down what is in your individual power to get your mindset and discipline in place to work towards your singing goals. Every career path starts with a clear mindset and discipline!
Wishing you a wonderful journey into your special Musicland today
Vera