“Sing Fresh and Focused”

Many of you have asked me what my daily routine looks like that has kept voice so fresh and young even after my long stage career in the heavy dramatic Fach. So I write some aspects down for you:

1) Every morning instead of connecting with the world outside I first connect with myself within. My routine is a 15 min meditation, which I’ve been doing for years and years. It is my routine to connect with my inner self. I find peace and concentration doing so. (It is so important for a singer that you are able to concentrate.)

2) For 25 years I have been vocalising my voice in a very healthy and smooth way. I do this in the morning for 25 min and then I work on repertoire. Again it is also a wonderful tool to stay in good vocal shape by having a routine in warming up the voice.

3) I have a very healthy food plan, which is also vital!

In the afternoon I teach vocal technique as well as coaching singers in my mentorship program at my Institut Stimmkunst. I have choosen a joyful and nurturing life, where I am able to nurture with wisdom and passion not only in my life, but lives of so many professional singers and voice students.

Sometimes professional singers are entering my studio when they have free time between engagements to study a part or to take care of their voices after singing a heavy part. This is sometimes a difficult time for you singers. I want to encourage you to focus on what you have already achieved in your singing career.
In times which were demanding in my singing career on stage, for example singing Elizabeth and Venus in the same Tannhäuser production, I was so grateful that I have had the honor and the opportunity to fulfill my life dream day by day: TO BE ON STAGE AND SINGING.

My advice is to train your voice, your body, your mind and soul. You are the leader of your Kingdom or Queendom.

Wishing you all the Best
Vera
Dramatic soprano and Voice Teacher
Institut Stimmkunst/Zürich
www.stimmkunst.ch

How to work with a conductor

For young singers it might be challenging to work through the first orchestra rehearsal process with the assistant conductor and the principle conductor of the opera.

?Here is the good news: There are so many supportive hints by the composer in the opera score,

When you follow the advice given by the composer, and your vocal technique is healthy and brilliant, you feel the ground beat in your body, then magic can happen between the orchestra and you! The conductor will guide you with love for the music and passion for the art.

Make sure you are able to sing at the orchestra rehearsal with full voice. Sometimes if the schedule is tight, you can discuss with the conductor to mark one rehearsal, especially when you have to sing a heavy big part or leading role. Later on in your career when you are a more experienced artist you might be able to weave your own interpretation ideas with the composers ideas, too.

Always remember that to be an opera singer does not mean to shine through your ego, it means to serve the music with your unique beautiful soul and artistry. I remember in most of my big dramatic roles I was feeling so comfy in this sound bubble created by these wonderful instruments around me, that I was totally absorbed in this music and character I was singing. Then Opera is in this moment is a better world because of this incredible music.

?My advice is: Fall in love with the music (not only with your melody) then most conductors will be by your side?

You will find more details about the good spirit we have to nurture and shout out in the opera and music business in my e book: “Methode Stimmkunst.” You can order it through my website: www.stimmkunst.ch

To your greatness
Vera Wenkert

Care of Knowledge to be a Shining Opera Singer

Out of my experience as a dramatic soprano, having sung more than 30 major roles on various opera stages, it is my passion to give my knowledge and skills to young artists and aspiring talents.

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Since 2012 I have been conducting Opera Workshops and Masterclass courses with talented young opera artists and voice students. In these workshops and courses participants hone their performance skills in recitative, auditions and role preparation.

Every fact of a singer’s career is addressed by me and my professional team of opera accompanists and art song coaches from Opera House Zürich.

I help with audition preparation, dramatic interpretation, musicianship, acting skills, healthy vocal technique plus how to overcome stage anxiety.

In private lessons, I offer the healthy vocal technique based on the Swedish-Italian School of Singing, the technique that Kirsten Flagstadt and Birgit Nilsson sang with.

In private coachings I work out with you individually how to find your unique path in the music world and in the Opera business.

*For further information about the upcoming Masterclasses and Workshops in 2019 please visit my website: www.stimmkunst.ch*

With appreciation
Vera Wenkert

Cool down after a Performance

Out of my long stage experience I want to encourage you young singers to install the habit of cooling down the voice after a performance. Like in the sports world, singers also use muscles to sing. In my opinion it is not only important to exercise the voice everyday but also to cool it down after a long performance or recital.

You can use the “u“ vowel to do so only in the middle register of your voice. For example you start with quinte third tonica or you go down a five tone scale. When you sing it softly abd with your support, the vocal chords return to freedom. It just takes 5-10 minutes to do so, but the benefit is a healthy relaxation of the voice. Remember treat your voice like your best friend and acknowledge and take care of its needs.

There is another benefit of this procedure: You will build up a sensitive relationship with your voice, knowing if you have sung in the right way through your performance.
The voice will show you afterwards, if it is too tired, you definitely pushed too much, gave too much volume etc. There can be several reasons for this, but now you know you have to find out. Knowing how to keep your voice healthy and fresh is crucially important for a singers life and career.

With appreciation
Vera Wenkert

Diction in Opera

For many singers it is a challenge to learn and sing contemporary music or even music of composers, who nowadays are not “contemporary” anymore i.e A. Berg and A. Schoenberg. Instead of being overwhelmed by the first look of the score, take it as an interesting walk into a foreign landscape and be curious.
Alban Berg’s “Wozzeck” for example has clear patterns to follow, which you have to do to make it work for you. In “Wozzeck” the Singer has to find an honest way of expressing all of the music, plus diction in this very demanding opera. Every diction and declamation has to be articulated on the airflow and routed in a good support system. There is no character in the opera who does not get out of ones depth. The instructions of Berg are crystal clear and the singer has to follow them.

My advice is: read the whole opera. Then in an opera like “Wozzeck” first speak the text until the text and the proper articulation is your first nature. Second, learn the music and sing the text in a bel canto way, phrasing and articulating the words. This is an important step so that the voice finds, what I call the “HEALTHY SINGING PATH”.
Afterwards work phrase by phrase the words and music together which will bring you to the next step of expressing the emotion in the music.

I want to emphasize here that out of my experience, the healthiest way for every study period is to first work the basics of your role and then later carefully look at what are the emotions of the character so you can dive deeper and deeper into them.

?ATTENTION: Do not take emotional risks in these kind of operas. If you are not yet able to handle them with your vocal technique and musicality, find a way which fits you now in this moment of your development or career.

AFFIRMATION: I take the time and spirit to explore difficult music.

With appreciation
Vera Wenkert

Create a Culture of Mastership

Sometimes singers come to me and they are in a super doubtful state of mind about themselves. Often there has been an influence from outside either positive or negative. I am always wondering why young singers or young professionals give their power away so easily and let somebody judge them even when they may not know this person, or this person is just an acquaintance. Again I want to emphasize, you must take 100% responsibility for yourself.

As an artist you have to be a powerful human being, grounded in yourself, but with room for your inner vulnerability and imperfections. This will help you grow step by step on your way to the profession and then of course in the profession.

Affirmation: I hold my inner compass⭐️

Safe travels in the Universe of wonderful music and art ?

Vera Wenkert

Power Practice

Dear Singers, last week I prepared 8 international singers for either upcoming engagements at opera houses or upcoming auditions.
I cannot emphazises enough that you have to be fully prepared to nail an audition. This means have your arias super polished and ready and have a sort of love affair with your music you want to present. It takes much more then just to sing the arias properly. That means : Know the situation the operacharacter is in
Know the relationships of the operacharacter
Etc.etc.
Commit to yourself to put your practice first to gain your empowerment.
You are welcome to find more practical precious advices in my e book and on my website www.stimmkunst.ch
With appreciation
Vera