Working with the airflow

I remember when I worked with a dramatic soprano on Brünnhilde in Götterdämmerung. (In my opinion to sing this Brünnhilde is the most challenging of the three Brünnhildes.)
We worked the whole part and I cannot emphasise enough that to get through this big emotional and technically demanding role, the singer has to know crystal clear what to do technically. I tried to convince her that she just has to think of the pitch and to trust that the airflow does the work with the open throat, that the fexible support system is working and supporting the vocal production. 👍 She is a very fine singer, but when nerves or a little stage fright comes in, anxiety habits sneak in and she locks the ribcage and stops the breathflow. So, in our lessons we worked a lot with exercises to free the diaphragm and to unlock the jaw. As a result she finally she got rid of the increasing subglottal pressure and her big beautiful sound came effortlessly out of her mouth. It was pure joy to hear her Brünnhilde ❤️
A word of advice from my experience on stage: Never give 100% of your voice. Sing with 80% only. Then you will sail safer through your entire career.

AFFIRMATION: Healthy singing is singing on the airflow and not trying to make a big sound with muscle strength.

All the best,
Vera Wenkert

Step Into Your Unique Talent

As singers we have to overcome the barriers which block us from our successes. In my Masterclass and Audition Workshops I always recognise that the singer standing before me is yearning for something that can only be created through his or her voice and presentation. As a Singer we not only want to express ourselves but we also have a longing that our artistic gifts will impact others.
A powerful approach to waking up as an artist is to have excellent Vocal technique and music skills. Then together we can work on your authenticity, confidence and your gift of the interpretation of the arias. We do this together in a way that is well received and valued.
In this quick music world it is important to strengthen your inner self and your talents at the same time. Set yourself the goal to be a wonderful shining singer and artist and take this into auditions and performances.

I am passionate about my work to take you step by step through the growing process to become a Radiant Singer.

Have a gorgeous day!
Vera Wenkert

The Right Voice Teacher for me

Often young Singers come in my studio after years of studies. Some are super prepared for the exciting and demanding profession of an operasinger others need still a lot of work.
These experiences and my knowledge of the profession ( I have sung over 30 dramatic roles on different operastages, festivals and concerthalls) inspiries me to write my advice today:
Young singer or singing students you have to find ” your ” voice teacher!
What does this mean in reality:
This teacher must have the ability to pass to you a healthy vocal technique in a way that.you understand it and that you feel, you are making vocal progress.
This also means you should not feel hoarse after lessons!
Your voice teacher should have real interest in your development and most important he or she should have enough time to teach you.
In my opinion it makes no sense to study with a famous singer, who is still in a career, because he or she will not have enough time for teaching and nurturing your freshman career.
I am a strong believer in the fact that you when it comes to day x – YEAH- you have to know how to sing with your voice and to know how to make music and to be able to stand on your own feet.
This is the number one priority.
No one cares wether you have learned with a famous singer or at an institute or with a private teacher.
It counts what you can do and how you sing.
My number one advice is find a teacher , with whom you get at least regular vocal lessons and who has the time and spirit to nurture you individual and who offers a
healthy vocal technique.
When it is your desire to start an operacareer it is very helpful, that your teacher has been on stage too. This is not a must but it gives you also input from reality.
There is one big advice I want to tell you closing this precious weekly nugget. Take your responsibility young beautiful singers. This starts with finding the right vocal teacher for you. All of you have a unique voice and a unique path in life and profession and this means only you can feel and decide who is a good voice teacher for you and where you are in best hands for yourself.
With appreciation
Vera