Appreciation of your Performances

Dear Young Singers,

I love to encourage you to train your authentic confidence and to worship your singing also when it comes to opportunities where you are engaged for little concerts or other events to sing. You may want to express your creativity and show your artistry. You want to perform and sing, but this is only one side of the coin. The other side of the coin is that you have something special and valuable to offer with YOUR SINGING and you have to start to train to make your living out of this wonderful passion and talent.

A young singer asked me if I can write a Weekly Nugget about the topic that also Vocal students are entitled to an Honorar (Fee) when they perform. My answer is: YES! In my opinion you beautiful young singers should ask for a Performance honorar even when it is just a small appreciation honorar. I know from my own experience when I was a young singer that people think you just sing for a marriage etc. and that you do it for free. I did it for free until life showed me that I am responsible for my livelihood and that I have to cultivate a living where I can nurture myself, my art and be a partner in growth – oriented relationships. (As an artist you also have to pay your rent and food etc.)

Your Singing is a Profession.

You are studying hours and hours in a practice room, you spend money on vocal training and coachings with pianists. So take the secret key and empower yourself next time when you get a performance request. From your inner place of self love and appreciation of your unique talent say: “Thank you for this wonderful opportunity. I would love to perform for you. My Honorar is….”

Of course there might be occasions where you do not want to take an Honorar, but then make this decision with clearity in your heart and mind. This decision then comes from an inner commitment to respect yourself and not from weakness.

AFFIRMATION: I encourage myself to take my engagements out of an inner place of alignment with my values and respect to the Performance offer.

To encourage you, you see me as Tosca singing Vissi d‘Arte 💞

With appreciation
Vera Wenkert

Activate the seeds of your potential

The Singers in my Auditioning Masterclass have shown again, that we all have to focus on the process to bring out our deeper potential as a singer and musician and then we can fully express our music soul and vocal gift. We want to create and manifest our unique individual artistic soul.
This also means to release inner barriers which are blocking our development.
Healthy and artistic singing is rooted in the trust of flow. Flow in many ways: Sing on the airflow, let your voice float not be pushed by willpower, trust in your music sense etc. etc.
I am delighted to guide you through this process with my work. And I am delighted to give you a glimpse in the professional topics with my weekly nuggets.
With appreciation
Vera

Acknowledgments

We artists are all on a never ending journey to become the true version of ourselves and to develop and come into alignment with the unique inner artist in us.
If you nurture the relationship with yourself, means with your soul, body and artistry and spirit you will build a stable footing into your life as a human being and as an artist.
I am a strong believer that we -especially in the art – learn from so many wonderful sources and human beings. There are the giant composers, the poets, our teachers and mentors, our share of luck and our obstacles to overcome.
Young singers , there will appear a flower bouquet of different experiences on your career path, find two people in your life you can really , really trust ,who honestly believe in you as a human being and artist, who are honest with you in a warm and understanding way and who give you the permission to reveal yourself.
If you already have found them feel the happiness of gratitude.
On this occasion I give a deep heartfelt Thank YOU to David Jones and Friedrich. Thank you for your enthusiasm for me, your knowledge, your work .
Wishing you the best
Vera

Stagecraft Masterclass

Good morning singers!

I am giving a Stagecraft Masterclass this weekend, and I would love to give some input into how to make a role yours. Of course, you have to know the music and you have to be able to sing it beautifully with your unique voice,
but this is not enough for giving the role birth on stage in rehearsals, and later in performances. So let us dive deeper in the process…

…You have to know all details about your character as if it was a real person. Find out the age of the character, the surrounding and social status it lives in, the relationships to the other characters in the opera, the state of mind, which scenery, when you sing the aria or duet etc.
You become an interesting working partner for the stage director when you have done this thoughtful work before you meet him/her. They will give to you their ideas and then you can work with these on a serious empowered basis. (These are only the basic things to take into consideration . There are many other things to conquer)
I remember when I was preparing my debut Lady Macbeth (Verdi), I was so thrilled by the idea to not just portray her as cold and power greedy, that I translated every word and searched for the deeper meaning therefore finding a more versatile character who I could give life to on stage.

Wishing you joy with your unique approach!
With appreciation,
Vera

Singing Treasures

Nowadays, more then ever, the singer has to have a refined concept for a success singing path: Of course a solid healthy vocal technique but to catch the interest of managers or casting directors in operahouses the singer has to blossom into a fine unique artist; that means to portray in any singing piece taste and musicianship. A performer serving the composers art and shaping and sculptering his or her aria or artsong out of this desire is one of the privilege and duty. Then miracles can happen, the singers individual artistry melts with the composition. I remember when I studied Isolde, every day I could not wait to dig into the harmonies to understand R. Wagners intention between the colours of the orchestra and the Isolde melody lines. I studied on top of my role also the Orchestra partitura. I suggest this for every main role. Have a glimpse into the full orchestration, find your leading instruments, listen to the colours. As singers, we are part of the orchestra.
More next Friday.
Wishing you an exciting journey into your special music land.
Vera